

Johnson, a lauded cinematographer who made the brilliant 2016 documentary Cameraperson by cobbling together footage she had previously shot, was facing the advancing age of her beloved father, C. It's often laugh-out-loud funny, but also a sob-fest from beginning to end.

Kirsten Johnson's Dick Johnson Is Dead is simply one of the most beautiful, moving, personal, and probably even helpful pieces about loss that anyone has ever created. The convicted man eventually opens up when he begins referring to his crimes in the third person, but, like most serial killers, he's impossible to relate to, and you wind up learning little about what makes him tick. The tapes referenced in the title come from a journalist who interviewed a cagey Bundy on death row, but are ultimately secondary to the treasure trove of archival footage Berlinger intersperses throughout a relatively conventional docuseries peppered with talking heads-one of whom survived a Bundy attack and is one of the more revelatory figures in the doc. Bundy may have been a ruthless serial killer, but somehow law enforcement failed to catch him, allowed him to escape from prison TWICE, and wound up convicting him in Florida thanks to some flimsy evidence and a showboating prosecutor. While this Netflix docuseries focuses on a man whose guilt is never in question, he still manages to work in sly critiques of the American penal system. For a movie about the complexities of mechanical manufacturing, it feels refreshingly handmade.Ĭonversations With a Killer: The Ted Bundy Tapes (2019)ĭirector Joe Berlinger's work on the Paradise Lost trilogy centered on the myriad miscarriages of justice in the case of the West Memphis 3, who were convicted of murdering three boys in the mid-'90s. Despite sounding tremendously bleak, American Factory has more humor and humanity than your average magazine article about the challenges facing Middle America. Directors Julia Reichert and Steven Bognar put their cameras everywhere: terse board meetings, raucous union organizing sessions, casual break-room conversations, and, in one revealing sequence, a business trip to a Fuyao factory in China. American Factory follows the slow depletion of that hope as the corporate culture of the Chinese managements butts heads with the customs, attitudes, and economic priorities of the American workforce.

Billionaire Chairman Cao Dewang arrived at his new facility with the intention of writing a bold new chapter in the expansion of global capitalism, delivering prosperity to a struggling area while getting rich in the process. When the Chinese company Fuyao Glass opened a new factory in Dayton, Ohio, there was so much hope in the air.
